Instruments: St.Bartholomew's Armley |
1 Sub Bass 32 1879 2 Open Metal 16 1879 3 Principal Bass (Wood) 16 4 Violon 16 5 Sub Bass 16 6 Quinte 10 2/3 7 Octave 8 8 Violoncello 8 9 Flötenbass 8 10 Octave 4 11 Posaune 16 12 Trompete 8 Great to Pedal Swell to Pedal Choir to Pedal Echo to Pedal
13 Lieblich Bourdon 16 14 Minor Principal 8 15 Cello und Violine 8 16 Harmonica 8 17 Orchester Flöte 8 18 Lieblich Gedact 8 19 Lieblich Flöte 4 20 Octave 4 21 Piccolo 4 22 Cornett II-V 23 Clarinette 8 Tremulant Echo to Choir Swell to Choir
24 Sub Principal 16 25 Bordun 16 26 Major Principal 8 27 Gemshorn 8 28 Hohl Flöte 8 29 Gedact 8 30 Hohl Flöte 4 31 Octave 4 32 Rausch Quinte II 33 Mixtur V 34 Tuba 16 35 Trompete 8 Swell to Great Choir to Great
36 Bordun 16 37 Geigen Principal 8 38 Gamba 8 39 Salicional 8 40 Celeste 8 Engraved Rohr Flöte 41 Flauto Traverso 8 42 Octave 4 43 Flauto Traverso 4 44 Cymbel IV 45 Horn 8 46 Oboe 8 47 Clarine 4 Tremulant Echo to Swell
48 Tibia Major 16 49 Vox Angelica 8 50 Echo Oboe 8 51 Zart Flöte 8 52 Dolcan 8 53 Still Gedact 8 54 Dolcissimo 4 55 Echo Flöte 4 56 Nasard 2 2/3 57 Flautino 2 Tremulant
Recordings:
Other information:
Provided by David Elliott
Schulze's son Eduard assisted the firm of Brindley and Foster in the rebuild of 1879 at Armley. The tracker action to Echo and Choir and Barker-lever to Great and Swell were replaced by Binns tubular pneumatic in 1905, which has survived with re-leathering (because of water damage) to the present time with the exception of the Binns adjustable pneumatic combination system, which was replaced by electric action in 1976 by J.T. Jackson. The planned restoration by Harrisons will restore the Binns tubular pneumatic system as the organ has been associated with it for the majority of its life so far.
The playing condition of the organ is very unpredictable, and the Echo organ is praticably unplayable. Only a few of the 32' pedal pipes play and during the winter months the present heating system causes condensation to run down both wood and metal pipework.
The organ is nearly always played by Dr Christopher Newton, who is always willing to allow other organists to sample the delights of the Schulze that are still playable. His email address is C.Newton@leeds.ac.uk, and I am sure he would not mind answering any questions relating to the instrument's present condition.